Vivienne works not only with traditional Japanese black ink | sumi-e, but also with soil pigments collected from around the world, organic pigment sticks crafted in Japan, and finely ground minerals - Nihonga*. Each material is carefully sourced with an emphasis on sustainability — drawn from the earth and able to return to it without leaving a trace of pollution. Her practice reflects a deep commitment to natural cycles, incorporating raw elements into her art while honouring their origins and their ability to reintegrate with the environment.

*Emphasising the importance of grounding the ink and pigments, this deliberate and unhurried process forms the foundation of Vivienne’s artistic practice. Through this intentional approach, she masters the art of slow creation. Working within the ancient traditions of Nihonga—a term that simply means traditional Japanese painting—but is now used for the finely pulverised mineral pigments, earth, and seashells such as oyster shells. These mineral pigments are really known as iwa-enogu, are created by grinding natural minerals into particles whose size determines the depth and shade of colour. They can also be gently roasted to alter their hue.